Spectres of Modernism was always intended as just one strand in a longer and broader campaign against Taylor Wimpey’s The Denizen development. The show proved effective by generating press coverage of the many political and social issues flagged up by the City of London granting planning permission for Taylor Wimpey’s ghost flats – including potential conflicts of interest on the part of City of London councillors Chris Hayward, Michael Bear and James Thomson. As a result of our banner exhibition on the balconies of Bowater House these matters have now entered mainstream media discourse. The show and the issues it raised were covered by the national media in the UK, as well as the art press. Prior to Spectres of Modernism our concerns had only been aired in local papers and/or blogs. But far more important than press as regards Spectres was the way it brought our community even closer together as we fought Taylor Wimpey and the City of London council.
We’re still waiting to hear if the application for a judicial review of planning permission for The Denizen has been successful, which is one way we hope our campaign will move forward. But it is also important to keep raising awareness about social cleansing, a process explicit in the demolition of Bernard Morgan House – with its 110 key worker housing units – that Taylor Wimpey plan to replace with The Denizen’s 99 buy to leave luxury apartments; and with no social or affordable housing in complex whatsoever! Likewise we will continue to participate in the ongoing fight against the uniquely undemocratic political system in the City of London – with the council controlled by business votes – which denies residents a proper voice in local government. If the City of London was run by a democratically elected council like those found in the rest of the UK, The Denizen wouldn’t have stood much chance of winning planning approval in the first place!
While the Spectres of Modernism banners were up on Bowater House we blogged every day. That will stop now and we’ll only make occasional update posts from here on in. The 75 posts we’ve made so far aren’t just about us and the press coverage Spectres received, they were also intended to place our campaign in both a local London and global context; and to let people know about some other campaigns we support.
Please don’t forget our post show event. This is now rescheduled to take place on Friday 2 February at Raven Row, 56 Artillery Lane, London E1 7LS, from 6.30pm to 8.30pm. There will be an exhibition, performances, screenings, talks and the sale of works from and related to Spectres of Modernism, to consolidate the protest at Bowater House against Taylor Wimpey’s The Denizen Development. With the participation of: Mark Aerial Waller, Stewart Home, Tom McCarthy, Anna Minton, Katrina Palmer, Chris Petit, Esther Planas, Bill Parry-Davies, Iain Sinclair, Claire Louise Staunton, Nina Wakeford and Lloyd Corporation in collaboration with students from Goldsmiths Visual Sociology MA. All proceeds from the sale will go towards the campaign.
Other sites supporting our campaign against The Denizen – including OPEN Golden Lane and Reclaim EC1 – will in future be more active than this one. So please check them out! And activism against Taylor Wimpey’s development still retains a live cultural component via the horror stories various novelists are producing set in The Denizen; the blog featuring some of them is here.
A spectre is haunting the cynical overdevelopment that characterises London’s buy to leave property boom, the spectre of modernism!” #savegoldenlane